Donnerstag, 9. Mai 2024, 17:54 UTC+2
Sie sind nicht angemeldet.
Sonntag, 3. Dezember 2023, 00:25
Na, dann kannst du Cormac ja sogar Stereo hörenIch habe mir die CD gleich zweimal gekauft
Und dann auch noch signiert. Das ist fast so, als würde Cormac neben mir singen
Wir verlangen, das Leben müsse einen Sinn haben,
aber es hat nur genau so viel Sinn wie wir ihm geben.
aber es hat nur genau so viel Sinn wie wir ihm geben.
Donnerstag, 7. Dezember 2023, 01:53
A much shorter chat this time no need for Coffee 
or Tea and I've another sort of busking video for you tomorrow so make sure your notifications are on for that too
What's it really like coping with a changing voice when you're a teenager that sings!
https://www.youtube.com/watch?v=AomSZZWn…=CormacThompson
no need for Coffee or Tea and I've another sort of busking video for you tomorrow so make sure your notifications are on for that tooWhat's it really like coping with a changing voice when you're a teenager that sings!
https://www.youtube.com/watch?v=AomSZZWn…=CormacThompson
Wir verlangen, das Leben müsse einen Sinn haben,
aber es hat nur genau so viel Sinn wie wir ihm geben.
aber es hat nur genau so viel Sinn wie wir ihm geben.
Registrierungsdatum: 3. März 2004
Beiträge: 5 375 Aktivitäts Punkte: 27 850
Danksagungen: 2
Wohnort: Region Stuttgart
Sonntag, 21. April 2024, 00:14
Ganz interessant 
A very big warm welcome to episode one of 'One Boy, Two Voices'
I've been very lucky. When I sang in my younger boy, high voice, it really did create some amazing opportunities for me.
In episode one, I take it right back to the beginning and we chat about how it all began and highlight how I really wasn't
even thinking about my voice changing then. I'm joined by my mum, Alison, who keeps me right on the order of things and
explains what it was like from a grown - up's perspective, Professor Martin Ashley, a renowned voice change expert and
author of many books on the subject and Matthew Todd, professional tenor and music educator, himself a former boy treble
and survivor of his 'breaking' voice as he's still singing but he remembers it vividly.
We also talk about how I was signed by global record label Decca (UMG) when I was just 11, dropped by them when I was 12
and how we kept recording and releasing music for the next few years with no label support at all.
That's a whole lot of experience in a very short time for a young boy singer (and his mum and dad) and at the end of last
year I realised just what a good position that put me in to try and help other young boys to keep singing when their voices
change too.
I'm 15 now, it's happened and I'm very fortunate to still be singing. I hope episode one sparks your interest for the rest of the
story in the next 5 episodes too. It's a fun listen, I promise! there's really no science at all and if you have any connection to
young boys who experience this please share with them too.
PODCAST - Right Place, Right Time! & Why my TWO Voices DO Matter
https://www.youtube.com/watch?v=NzPf6Ec-…=CormacThompson
Please do check out the related links listed below.
In episode two, we chat about when I performed on Chorister of the Year (October 2021) and Britain's Got Talent (January 2022, it
aired May 2022) and what it was like recording new songs with Dominic Ferris and Simon Hanhart. We have linked all these different
events back to the changing stage that my voice was at, at the time I did them.
Again, I'm joined by my mum, Alison, who still keeps me right on the order of things and she helps explain what it was like from a
grown - up's perspective too.
Professor Martin Ashley, a renowned voice change expert and author of many books on the subject of voice change and Matthew
Todd, professional tenor and music educator, join me too.
Getting to do all these things as a very young singer has given me a lot of experience in a very short time for a young boy singer and
at the end of last year I realised just what a good position that put me in to try and help other young boys to keep singing when their
voices change too.
I'm 15 now, my voice is through the most difficult part of it changing and I'm very fortunate to still be singing. I hope episode two
continues to spark your interest in my podcast.
If you have any connection to young boys who you think would benefit from listening to this please share it with them too.
We also thought it would be helpful to define CAMBIATA
"Whilst a boy goes through puberty, his comfortable modal singing range fits none of the conventional SATB choral parts. Cambiata
are specific part ranges based on the principle that "the music must fit the voice, not the voice the music".
The cambiata 1 part for boys in early puberty ranges from A3 - A4 and shares some but not all notes with treble. The cambiata 2 part,
for boys in later puberty ranges from E3 - E4 and shares some but not all notes with tenor."
This is all explained rather well by boys of the National Youth Choir in the film Populating the Parts, available at here: Populating
the Parts | Martin Ashley (martin-ashley.com) (https://www.martin-ashley.com/populating-the-parts)
PODCAST 'You made that song your version Cormac' - Simon Cowell!
https://www.youtube.com/watch?v=fhZ5m-yO…=CormacThompson
A very big warm welcome to episode one of 'One Boy, Two Voices'
I've been very lucky. When I sang in my younger boy, high voice, it really did create some amazing opportunities for me.
In episode one, I take it right back to the beginning and we chat about how it all began and highlight how I really wasn't
even thinking about my voice changing then. I'm joined by my mum, Alison, who keeps me right on the order of things and
explains what it was like from a grown - up's perspective, Professor Martin Ashley, a renowned voice change expert and
author of many books on the subject and Matthew Todd, professional tenor and music educator, himself a former boy treble
and survivor of his 'breaking' voice as he's still singing but he remembers it vividly.
We also talk about how I was signed by global record label Decca (UMG) when I was just 11, dropped by them when I was 12
and how we kept recording and releasing music for the next few years with no label support at all.
That's a whole lot of experience in a very short time for a young boy singer (and his mum and dad) and at the end of last
year I realised just what a good position that put me in to try and help other young boys to keep singing when their voices
change too.
I'm 15 now, it's happened and I'm very fortunate to still be singing. I hope episode one sparks your interest for the rest of the
story in the next 5 episodes too. It's a fun listen, I promise! there's really no science at all and if you have any connection to
young boys who experience this please share with them too.
PODCAST - Right Place, Right Time! & Why my TWO Voices DO Matter
https://www.youtube.com/watch?v=NzPf6Ec-…=CormacThompson
Please do check out the related links listed below.
In episode two, we chat about when I performed on Chorister of the Year (October 2021) and Britain's Got Talent (January 2022, it
aired May 2022) and what it was like recording new songs with Dominic Ferris and Simon Hanhart. We have linked all these different
events back to the changing stage that my voice was at, at the time I did them.
Again, I'm joined by my mum, Alison, who still keeps me right on the order of things and she helps explain what it was like from a
grown - up's perspective too.
Professor Martin Ashley, a renowned voice change expert and author of many books on the subject of voice change and Matthew
Todd, professional tenor and music educator, join me too.
Getting to do all these things as a very young singer has given me a lot of experience in a very short time for a young boy singer and
at the end of last year I realised just what a good position that put me in to try and help other young boys to keep singing when their
voices change too.
I'm 15 now, my voice is through the most difficult part of it changing and I'm very fortunate to still be singing. I hope episode two
continues to spark your interest in my podcast.
If you have any connection to young boys who you think would benefit from listening to this please share it with them too.
We also thought it would be helpful to define CAMBIATA
"Whilst a boy goes through puberty, his comfortable modal singing range fits none of the conventional SATB choral parts. Cambiata
are specific part ranges based on the principle that "the music must fit the voice, not the voice the music".
The cambiata 1 part for boys in early puberty ranges from A3 - A4 and shares some but not all notes with treble. The cambiata 2 part,
for boys in later puberty ranges from E3 - E4 and shares some but not all notes with tenor."
This is all explained rather well by boys of the National Youth Choir in the film Populating the Parts, available at here: Populating
the Parts | Martin Ashley (martin-ashley.com) (https://www.martin-ashley.com/populating-the-parts)
PODCAST 'You made that song your version Cormac' - Simon Cowell!
https://www.youtube.com/watch?v=fhZ5m-yO…=CormacThompson
Wir verlangen, das Leben müsse einen Sinn haben,
aber es hat nur genau so viel Sinn wie wir ihm geben.
aber es hat nur genau so viel Sinn wie wir ihm geben.
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